Rev. Danny Fisher

Just a Buddhist Minister Trying to Benefit Beings

A Gift of Dharma for 11.19.09

Today’s quote is from a friend and past intervieweeJoan Halifax Roshi–one of the modern engaged Buddhist movement’s great heroines.

A Zen priest, anthropologist, shaman, activist, and author, Roshi is also the founder, abbot, and head teacher at Upaya Zen Center, a Buddhist monastery in Santa Fe, New Mexico.

For over ten years Roshi studied with Korean Zen master Seung Sahn, and was a teacher in his Kwan Um Zen School. She also received the Lamp Transmission from Thich Nhat Hanh, and was given inka (formal acknowledgment of the completion of Zen training) by Roshi Bernie Glassman.

A founding teacher of Glassman’s Zen Peacemaker Order, she also established the Ojai Foundation in 1975 while working as a research assistant for mythologist Joseph Campbell.

In addition, Roshi, who holds a Ph.D. in medical anthropology and psychology from the University of Miami’s School of Medicine, is the author of several wonderful books, including The Fruitful Darkness: A Journey Through Buddhist Practice and Tribal Wisdom, Shaman: The Wounded Healer, Shamanic Voices: A Survey of Visionary Narratives, A Buddhist Life in America: Simplicity in Context, The Human Encounter with Death (with ex-husband Stanislav Grof), and (most recently) Being With Dying: Cultivating Compassion and Fearlessness in the Presence of Death.

Roshi’s writings and teachings on being with death and dying are really quite extraordinary and have enjoyed wide interest. She frequently teaches about end-of-life care in a variety of settings–from universities to religious institutions to medical centers and beyond. Her efforts in this area have also earned her an Honorary Research Fellowship at Harvard University.

Roshi’s Wikipedia page quotes Christopher S. Queen (from the book Westward Dharma: Buddhism Beyond Asia), who writes of her work:  “She teaches the techniques of ‘being with death and dying’ to…terminally ill patients, doctors, nurses, lovers, family, and friends. She speaks calmly, with authority. In a culture where death is an enemy to be ignored, denied, and hidden away, Joan physically touches the dying. She holds them, listens to them, comforts them, calms them, and eases their suffering by any means possible. She shares their thoughts and fears; she feels their last shuddering breaths, holding them in her arms. She travels easily from church to synagogue, hospice to hospital, dispensing techniques and training born of Buddhist traditions and beliefs in a culturally and spiritually flexible manner.”

One of Roshi’s latest projects is the Upaya Buddhist Chaplaincy Training, for which I am very happy to serve as a member of the advisory council.

Here’s the quote–from Roshi’s interview with Dharma Life for their Autumn/Winter 2004 issue.

When offering care, exploration of a person’s world-view is essential. As well as being a kindly presence, we try and heal that person’s perceptions that they’re separate and isolated. Do patients have a sense of impermanence? Or do they feel shame or guilt at having developed cancer?… We want to give our best, be fully there. Compassion may move us – it can draw out the best in us – but it doesn’t always! We must be unattached to the outcome. Either way, it’s always edifying… I can’t just walk into a hospital with my spiritual stuff, and assume I’ll be a help. We need to engender compassion and equanimity, and take these out to the world. But we can only do that by facing our own complexes. Are we sitting with someone who’s dying, or with ourself? We don’t turn away from our own issues, just as we don’t turn away from a dying person. It’s tough. But that’s where the rubber meets the road!

UWest’s Religion & Film Series Continues Tomorrow with Wheel of Time

Finally:  a movie about Buddhism!  : )

This is just a quick reminder that UWest’s Religion & Film Series will continue tomorrow with a screening of master filmmaker Werner Herzog’s 2003 documentary Wheel of Time.  The legendary, iconoclastic Herzog is perhaps best known for his films Grizzly Man, Rescue Dawn, Encounters at the End of the World (last year’s Academy Award nominee for Best Documentary Feature), Fitzcarraldo, The White Diamond, Nosferatu the Vampyre, and Aguirre, the Wrath of God. The film is described this way by the All Movie Guide:

Celebrated filmmaker Werner Herzog turns his attention to one of the largest Buddhist gatherings in the world in this documentary.  Thousands of Buddhist pilgrims travel to the village of Bodh Gaya in India (the place where the Buddha is said to have attained enlightenment) to take part in the Kalachakra Initiation. As the visitors stream into Bodh Gaya, many traveling on foot and often stopping to prostrate themselves as a sign of devotion, a team of monks create a beautiful and intricate sand painting on Mount Kailash, which is scattered to the winds by the Dalai Lama at the end of the 12-day celebration as a symbol of the impermanence of existence. Herzog documents the ancient rituals of this ceremony as well as profiling the Dalai Lama and some of the many Buddhists who travel to India for this event.

I’m personally quite fond of this film, and even named it one of my “Five Great Films about Buddhism” for elephant journal.

A funny clip of Herzog talking to His Holiness the Dalai Lama is embedded below.

The screening starts at 7 p.m. in Room ED309.  It is free and open to the public.  A discussion will follow.  We hope to see you there!

Burma VJ Shortlisted for the 2009 Academy Awards

Exciting news this morning:  The recent film Burma VJ:  Reporting from a Closed Country, which features the work of citizen journalists inside the title country’s 2007 “Saffron Revolution,” has been shortlisted for the 2009 Academy Award for Best Documentary Feature

Here’s what the editors of the Guardian said in their powerful endorsement of the film earlier this year:

There is an awful lot of rough camera work in the just-released film Burma VJ. Heads missing, over-eager zooms, jumpy shots; that kind of thing. Hollywood directors sometimes do this to inject urgency into that otherwise-tepid thriller, but here the lack of cinematic polish is neither voluntary nor superfluous. A record of life inside totalitarian Burma, this documentary was filmed undercover by amateur video journalists (or VJs) on Handycams kept out of sight of the military junta. If the batteries gave out, the VJs used camera phones instead. The generals run Burma’s TV and radio, and they control most print media, so the anonymous VJs who are the subject of this film perform a rare and brave service. Called the Democratic Voice of Burma, this non-profit network gathers its footage in secret, before smuggling it out of the country. Burma VJ concentrates on the Saffron Uprising of September 2007, when thousands of Buddhist monks marched against military rule. This gesture of defiance soon swells into a mass protest. “Film them all! So many!” cries one marcher to a VJ, and the camera pans around balconies and rooftops crammed with cheering protesters. It is a moving scene, all the more so because the viewer knows that soon the uprising will be crushed, with thousands killed and arrested. Citizen journalism is much talked about, but this film shows it at its best – as a powerful force, allowing the world access to places and episodes that would otherwise remain hidden.

For more about Burma VJ, including where and when you can see it, visit http://www.burmavjmovie.com.  A trailer is below.

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